But from the beginning, it is clear that Mrs. Crater's clothing to be described, O'Connor pays particular attention to the clothing worn by the daughter. During a conversation which allows each of the major characters to size one another up, Shiftlet, who spies an old automobile which he desires, agrees to stay on the farm in exchange for food and a place to sleep.
Drawing on the definitions laid down by the medieval interpreters of the scriptures, O'Connor noted, "The kind of vision the fiction writer needs to have, or develop, in order to increase the meaning of his story is called anagogical vision, and that is the kind of vision that is able to see different levels of reality in one image or situation.
Shiftlets speech that he knows exactly what to say in order to get what he wants. Crater for all he can get.
Since this is one of O'Connor's shorter stories, it provides an excellent opportunity to examine in some detail the techniques which she developed in order to provide an anagogical level of meaning to her stories.
Shiftlet, crosses their path and after a bit of conversation is offered a place to sleep and food to eat in exchange for fixing things around the house. Crater believes Mr Shiftlet will be a great help around the house and decides to provide food and a place to sleep for him in exchange for his services.
Black has traditionally been viewed as a symbol of physical death and of the underworld, while brown is associated with spiritual death and degradation. Shiftlet is delighted to be able to sleep in the car, commenting to Mrs.
Crater with Shiftlet, both pursuing material goals and both surrendering the spiritual goal represented by the innocent Lucynell, actions which, from O'Connor's point of view, lead man to spiritual death.
The color imagery associated with her is designed to emphasize her purity and innocence, as well as to associate her with the divine.
He spoke as if he wanted to hang around because he wanted to be able to share their view of the sunset every morning, but it is apparent that he wants the car for himself in order to be free.
Though Crater marries Lucynell and there is still a possibility of redemption or atonement, he abandons her and the idea of atonement in The Hot Spot restaurant and in essence Mrs Crater is selling her daughter to Shiftlet.
Lucynell was the saving grace for both Mr. More importantly, however, one should remember a piece of advice which O'Connor gave a group of would-be writers: Through the approach of Mr.
In regard to Mrs. Yellow, the color of the band which he paints over the green, and of the fat moon which appears in the branches of the fig tree, is frequently used to suggest infernal light, degradation, betrayal, treason, and deceit.
Hooper and George W. The car is important for another reason. Though Crater marries Lucynell and there is still a possibility of redemption or atonement, he abandons her and the idea of atonement in The Hot Spot restaurant and in essence Mrs Crater is selling her daughter to Shiftlet.
Shiftlet and Mrs Crater agree that he would marry her and take her out on a weekend honeymoon. Certainly the story has, as does all good literature, a rich enough texture to support a number of ways of looking at it.
All the while, Lucynell is totally oblivious to the things that are taking place around her. The car is important because it is something that Shiftlet has always wanted. Thus, the car painted green, emblematic of the regeneration of the soul through good works, is given a yellow stripe indicating that Shiftlet has betrayed his opportunity for grace.
Some critics are entranced by the humor in the story and pay little attention to the color imagery and the underlying religious meaning which the story contains. Yellow, the color of the band which he paints over the green, and of the fat moon which appears in the branches of the fig tree, is frequently used to suggest infernal light, degradation, betrayal, treason, and deceit.
Shiftlet arrives at the Crater farm at sunset, and Mrs.
You might also note that O'Connor uses the word "casket" rather than "chest" or "box" of jewels, thereby echoing the coffin imagery associated with the car. In addition to her use of color imagery, O'Connor also provides a number of traditional symbols which help to clarify her intent in the story.
The car is painted green which suggests life or charity possible redemption and has a yellow band which some observers have suggested represents betrayal or deceit. The car is important because it is something that Shiftlet has always wanted. This helps link Mrs.
By the end of the story, however, he and his prayer are separated from the sun by the gray, turnip-shaped cloud, an indication that as a result of his egoism and his indifference, he has rejected the grace offered him in the form of the innocent Lucynell and a farm which he could tend.
One evening, near sunset, Tom T. Finally, the sun, given a color only late in the story, is described as a "reddening ball"; red, normally associated with blood, passion, creativity, has also been adopted by the Church as the color for martyred saints. A Literary Analysis of The Life You Save May Be Your Own by Flannery O'Connor PAGES 2.
WORDS View Full Essay. good and evil, flannery o connor, the life you save may be your own, spiritual struggles. Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University.
Ask Your Own Question Study Guide for Flannery O'Connor’s Stories Flannery O'Connor's Stories study guide contains a biography of Flannery O'Connor, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
The Life You Save May Be Your Own Literary Analysis good to be real with the quaint happy endings that typically conclude fairy tales; not with Flannery O'Connor's writings, which depict sarcasm with disquieting twists and mordant characters.
The Life You Save May Be Your Own Essay Examples. 11 total results. A Literary Analysis of The Life You Save May Be Your Own by Flannery O'Connor. words. 2 pages. A Comparison of John Steinbeck's Flight and the Life You Save Maybe Your Own by Flannery O'Connor.
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The Life You Save May Be Your Own Re-defining African American Women’s Communication, Sexuality and Creativity in Alice Walker’s The Color Purple, Octavia E. Butler’s Kindred, and Toni Morrison’s Sula Silje Linnerud Næss. Critics recognized the importance of "The Life You Save May Be Your Own" immediately after it was published in the literary journal Kenyon Review in the spring of That year the story was included in the annual collection of exemplary short fiction published to honor the memory of the short story writer O.
Henry.The life you save may be your own literary analysis